Ian Svenonius (Nation of Ulysses, Escape-ism) has been an underground music institution for decades. Now he’s focused on bringing back human dignity through off the grid rock & roll transcendence. Is this a hopelessly outmoded idea in a digital age? Well maybe. Salvador Cresta rings him up to discuss a protest record against sound itself, his bloodyminded creative ethos, and the beauty of things existing only offline. Be bop a-lula, it’s Midnight Music Review in the Attic.
